In “Jins,” Saba Qamar astounds with a nuanced view on gender binary concepts.

Jins, Saba Qamar’s most recent work, is a translation of the Urdu term for gender. Jins is a captivating work of poetry that dives into the terrible emotional terrain between two opposing spectrums, much like the crises of a person caught between binary options. The National College of Arts (NCA) Auditorium in Lahore is the setting for this play, which honours the great tradition of Urdu literature. Jins, which is created by the outstanding Saba Qamar and is directed by Shiraz Malik, presents a sophisticated discussion on gender relations.

The song Jins, which was composed and is sung by Muhammad Bilal Awan and the gifted Saba, demonstrates the former’s exceptional skill and lyrical sensitivities. The poems were skillfully written to negotiate the greater story of oppression that all genders experience. Bilal and Saba create a charming experience with a short poem and a conversation-like portrayal.

Jins is notable for Saba’s depiction of the unidentified yet determined lady. She exudes the alluring and sensuous qualities of femininity as seen through the masculine gaze, dressed in an all-white saree with a huge silver hairpiece accentuating every movement.

Her character does, however, nevertheless radiate strength and agency, questioning social mores and having illuminating conversations. She had silver jewellery that was tightly wrapped around her forearms, thus it cannot be a coincidence. It is obvious that a lot of care went into Saba’s image in the offering since the handcuffs she wears resemble the chains that bind even strong women.

The harmful qualities of masculinity are presented by Bilal, who is portraying the anonymous male, along with their underlying justifications. This is not meant to imply that the work of art excuses the wrongs committed by any gender. Instead, the poem may be seen as a critique of the patriarchal system that forces men and women against one another.

The luxury that males have as a result of the current quo is clearly shown, coupled with what it costs men to maintain a system that serves their interests. While Bilal is aware of the negative effects on women, he laments the way that all these advantages deprive males of their emotions. He clarifies the complexity and inconsistencies often connected to gender roles and expectations via his act.

The two protagonists’ anonymity lends the little film a feeling of universality. It is the tale of every man and woman, a close conversation that is improbable yet all too real.

The novel Jins is a marvel of narrative and creative expression. It expertly navigates the complexity of gender relations, highlighting the common forms of oppression that both genders encounter. This performance is a monument to the potency of poetry and performance, providing a moving and engrossing experience for everyone who has the chance to see it.